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Kyle Soller on ‘Andor,’ Star Wars, and Playing the Villain

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This story contains spoilers for the Season One finale of Andor.

I’ve been trying to figure out how, exactly, to describe Kyle Soller’s performance as Syril Karn, Andor‘s resident Empire fanboy. Here it goes. It’s as if Soller meshed Hermione Granger, Michael Corleone, and the Cowardly Lion into one neat, tidy, batshit package. It’s like the actor, 39, watched the full Star Wars box set—which he absolutely did before filming Andor—and thought to himself, Hm! What if Darth Vader was just some powerless, insecure dude who lived with his mom, but was still so pissed that he wanted to destroy the galaxy?

I’m not sure how else to say it, but: Kyle Soller is that guy. The guy that’s so mystifying, show-stealing, and just-on-the-verge-of-full-breakout that when you mention his name, people light up with a look of surprise-curiosity, and say, “Wow, that guy!” He’s that guy.

“Syril is really rooted in this normalcy, which is what makes him so kind of strange and potentially terrifying,” that guy—Kyle Soller—told me over Zoom last week. “He’s really relatable even though his life is so constricted and structured within an inch of its life.”

In Andor‘s Season One finale, which is now streaming on Disney+, Soller adds the punctuation mark to standout turn in the series, which tracks the early days of the rebellion. (Season Two of Andor will end the series, leading into the events of 2016’s Rogue One.) After banishment, essentially, to eating cereal and blue milk with his mom forever, Karn finds redemption at Maarva’s funeral. He saves high-ranking Empire baddie, Dedra, from death-by-angry-mob—which instigates the most unsettling fit of sexual tension in Star Wars since we thought a certain two siblings had a thing for each other. It makes for a brilliant—and satisfying—season finale of Andor, which may have just reminded the rest of Hollywood how to make appointment viewing out of a Herculean franchise like Star Wars.

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As for Soller? Well, the actor, who had a decade-plus long career in theater prior to Andor, is already gearing up to pull up Karn’s (tailored!) collar once again. Last week, we talked about the next season of the Disney+ adaptation, Karn’s romantic pursuits, and just what the hell the actor was doing before Star Wars knocked on his door. This conversation has been edited for clarity.

Of his Andor character, Soller says, “I wouldn’t say that Syril has delusions of grandeur—but I would say that he has the capability, but he doesn’t know how to execute.”

Corey Nickols

ESQUIRE: Let’s go broad—what are your weeks looking like right about now?

KYLE SOLLER: Oh. Wow. Weeks have been in prep going over the new scripts for Season Two. What’s amazing about dropping back in for this season is the time gaps that are going to be instituted to take you up the full five years before coming into Rogue One at the end. So there’s huge amounts of growth that’s happening within the world of Andor, but also in Syril’s world… and his tailoring.

It’s the most important thing.

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Let’s not forget it. But [we’re] really seeing the actual evidence of growth within this unformed person that you met in the first season. When I originally spoke to [Andor showrunner] Tony [Gilroy] about it—god, in like February or March of 2020— it just made sense that he was just this adolescent to begin with. We really wanted to lay those seeds of someone who had an amazing character arc within the first three episodes. Huge high, massive low, and then just didn’t know what to do with himself. I’m amazed at what Tony and everyone is going to accomplish for Season Two.

I can’t imagine the whiplash of returning to something you filmed during the beginning of the pandemic. You must feel like a different person entirely.

Man, in so many more ways than I can actually say. I had a really big beard that I had grown for another job—and also for life. But I had that for, gosh… maybe 10 months. Then when I went in for my first hair and makeup thing [for Andor Season Two] and it came off, I literally did not recognize the face. All of a sudden, I started to get back in touch with Syril. I was like, Oh my God, this guy, this guy’s intense. Do I want to come back to this guy?!

I feel like losing either pandemic hair or a beard was a weird I-don’t-know-the-word-for-it moment.

It’s not even a rite of passage, but it’s like a public shaming or something? It’s like getting shorn as a sheep in public. You’re forced to do the walk of shame.

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That’s exactly it.

I felt it deeply. And just the practical notion of getting your head back into the game of something you did a few years ago. We’ve been doing rehearsals lately. I mean, they’re turning it up to 11. There are more people, more planets, more worlds. There’s an amazing storyline about this new group of people. And I don’t know, man, it’s amazing really to walk onto these massive sets that they’re building.

“I could give you transcripts of my therapy sessions and that would probably accurate of what that period was like,” Soller says of the years before Andor. “It was heavy.”

Corey Nickols

Before Andor, you were in The Inheritance, a celebrated play that took you from London to New York during a four-year period. Then the pandemic happened and it all ended. I can’t imagine how hard that must’ve been.

Yeah. I could give you transcripts of my therapy sessions and that would probably be accurate to what that period was like. It was heavy.

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The play dealt with weighty fare—it’s about New York’s gay community, and deals with issues like the AIDS crisis and and homophobia.

That play was really special. We got that feedback every single day. There was someone who you could hear in the audience being affected, or spoke to us after the play. They’d say, “I went through that,” or “Thank you,” or “I’ve been really struggling and this has given me hope.” And it was an incredible container for people to find each other and to heal. I’d never been a part of something like that on that scale. I’d been a part of plays that had really affected people, but this felt like work that can change people’s lives, turn them into different people, change their directions. So it was probably the most rewarding creative experience that I’ve ever had… It still sits kind of over my shoulder.

How could it not?

It was so amazing to be part of something that was so topical. So at the same time that Broadway and the whole world were shutting down, I was getting calls going, “You need to say yes or no to Star Wars.” I had a two-week break built into my contract on Broadway. So in that break, that’s when I met Tony Gilroy in London because he just happened to be here meeting people.

And then when I returned was when everything shut down. I was like, “I don’t know! I can’t make decisions about what to eat, let alone if I’m going to be signing up for Star Wars for five years.” But I leaned into it. I’m really grateful I did. And shooting wound up getting pushed to November—then it wasn’t even like we were doing Star Wars, because we were all just so happy to be working and alive. We’d forgotten about the whole pressure of Star Wars. A lot of that came from Tony Gilroy too, because he was just like, “Look, let’s just forget that. Focus on the words and the story.”

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I have to ask: of the whole canon of Star Wars villains, aside from the obvious, who else has mommy issues?

Oh, dude. I mean, don’t they all?!

… Yeah. I think so.

Isn’t that the unspoken truth if you really dig beneath the surface? All little lost mama’s boys who have not dealt with their inherited trauma? Yeah. I mean I’d say definitely Kylo Ren has a lot of daddy issues on the surface—but what doesn’t get explored is the mommy issues, which I think are probably more potent.

I feel like there’s a shred of DNA that’s shared between Kylo and Syril. When we see Kylo, the feeling is also like, Wow, finally an unpolished villain.

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During lockdown, before we started [filming Andor], I was like, OK, let’s do the boxed set. Let’s prepare. One thing I did notice about a lot of the villains is that you don’t really know where their motivations came from apart from just being evil.

There’s no inner life, not like we see with Syril.

That’s something Tony had provided—what is created in that space of a parent leaving and another parent trying to fill that void in a really intensely possessive way? Also: what is the nature of growing up in a fascist state on Coruscant? The most surprising thing to me was reading the first couple of scripts—and then seeing him across the breakfast table with his mother. That was the point where I just said, Oh wow. It sort of didn’t matter where he went from there. Is he good or is he bad? Which is still a question that has never been resolved for me or to Tony—which I think is wonderful. Why play one thing? It’s amazing to be given the opportunity to exist in an unknown space.

I’m sure you’ve been asked this 5,000 times. What’s the cereal?

Oh yeah.

Cocoa Puffs, or…?

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It’s got the texture of a Captain Crunch.

It looked Captain Crunch-y.

They’ve dyed it and it’s very sweet. I know that much.

Am I off-base in thinking that Syril, beginning to end, is Michael Corleone?

You’re not entirely off-base, but it’s not entirely accurate either. But I wonder… I’m not going to say what I was going to say.

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The first time we meet your character feels very Michael at the wedding reception table.

I feel like if I speak on it, it’ll get me in trouble.

Let me get your rundown of the finale, then.

The end of Season One is so perfectly Syril for Syril. He’s kept Cassian as this talisman that’s giving him fuel to stay alive, basically. It’s a receptacle to put his frustration and aggression. And he’s still living at home—so he doesn’t have any friends or a therapist. He doesn’t have a dog. He also knows that he’s right. Then through his relationship with Dedra, being seen by her and feeling seen, that’s a massive indication. And so this call is like, Wow, it’s his mom’s funeral, it’s all coming together again. It’s at the place where I fucked up last time. I can put this right.

I wouldn’t say that Syril has delusions of grandeur—but I would say that he has the capability. He doesn’t know how to execute. And he’s also there to continue to be close to Dedra. Then he sees this opportunity to swoop in. It’s not even that he views it as a hero moment. I think it’s just his obsession with Cassian, that starts to extend itself to Dedra—because she’s involved in the same obsession. He recognizes that the two of them are more powerful together than they are separately. And when he sees that go down, it’s like no question. He’s there. And then in the weird kind of moment after in the cupboard, it’s kind of like…

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We’re getting somewhere, with them…

It’s like, “Oh wait, what is this? Are you … Am I?!” And that was a funny thing to explore, because neither of us really initially wanted to lean into the will-they-won’t-they, but it’s kind of unavoidable given all the circumstances that have led up to it. And it’s kind of beautiful, because he’s doing something so selfless, actually, and she’s completely traumatized and panicked and in shock. In the midst of this whole melee of a riot, you have this amazingly tender moment between these two really fucked-up, weird people in a broom closet in space.

Important question: what’s the deal with the cereal??

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That ten-second interaction is absolutely incredible.

Tony gives these amazing moments of veils dropping—or lifting, rather. He’s really great at giving actors opportunities to live in a chaotic moment and then play a realization: “All my hopes and dreams are gone,” or “all that I thought was real is false. True is false. And all of this interaction with this person I’ve had, I’ve been ignoring what is actually underneath. Oh my god. Is this…?” He loves to sit in questions.

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I think what you’re saying, too, is the brainwashing power of oppressive regimes.

That’s exactly it. He drank the Kool-Aid from day one. And dreamed and thought of being high up in the ISB since he was a kid. He’s got these little figurines that he plays with. Yeah, the autopilot of working out all the steps. “If I do this, I’ll get rewarded. I’m trying to keep my collar high enough just so I’m in control, so I feel protected. I feel safe. I’m different.” That all starts to disintegrate in that riot space. And it disintegrates, I guess, because feeling for another person is greater than oneself, greater than one’s idealism. It pierces through. I don’t think he’s ever been in love before. I think that’s a really new, fresh experience. And he’s always been a watcher on the outside. That sounds weird saying that!

No! It’s true, right?

He’s an observer. He’s on the fringes. God, poor Syril.

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Zoey Deutch rocked Tiffany blue to celebrate the upcoming release of her new movie

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Zoe Deutch rocked a baby blue bodysuit to celebrate the upcoming release of her new movie, Something From Tiffany’s

Zoey Deutch posted stunning photos on Tuesday in celebration of the upcoming release of her new movie, Something From Tiffany’s.

The 28-year-old actress looked like something off her feet in her Instagram post wearing a “Tiffany blue” themed outfit with matching eye shadow and manicure.

Styled in a light blue blazer and matching skirt, the beauty showed some skin while still being chic.

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Something Blue: Zoey Deutch showed off her stunning look in photos for her new movie, Something From Tiffany’s

Lady Regal: The beauty got up close and personal to show off her supple skin and minimal makeup look

Her blonde hair was parted to the side and left in loose waves.

One notable aspect of her outfit was the lack of jewelry, apart from a pair of dangling pearl earrings. The simplicity of the jewelry left more room for the outfit and makeup to impress.

Produced by Hello Sunshine, Reese Witherspoon’s production company, the story follows Rachel, played by Deutch, whose life is upended when an engagement ring meant for someone else leads her to the person she’s meant to be with.

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Classic with a twist: The 28-year-old exudes a model’s demeanor while donning an elegant and tasteful outfit.

Beauty Queen: The actress looked slightly to the side to give a royal aura

The movie will be released on Amazon Prime to stream on December 9th.

The star is the daughter of actress Lea Thompson, who is best known for her roles in Back to the Future and Switched at Birth. Deutch has also accomplished a very notable filmography.

Best known for her starring roles in Set it Up, Vampire Academy, and most recently her role in Hulu’s Not Okay, the beauty has earned credits in many genres.

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Earrings: Pearl earrings dangling from the actress’s ears as her signature piece, the only jewelry she wore

Recently, the actress reported a home break-in in Los Angeles, California where $300,000 in cash and jewelry was stolen.

Fortunately, no one was home when the break-in occurred.

Since then, she’s put on a brave face and has gone on to promote her movie and even attended a Tiffany & Co party soon after.

One last look: Posted on Deutch’s Instagram story, take a look at the accessories from the shoot

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Release date, cast, episodes, plot, spoilers and more

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“This season to be a Mason!” Cheers Matthew Rhyswho seems noticeably happier — really elated — than he did My last phone call with him. That was August 2020, AKA season finale Perry Mason, AKA the second wave of the pandemic. I’m sure we talked about burgers through brain fog, both of us, raving while we celebrated our six-month anniversary indoors. So, oddly enough, Reese’s hearing and damned good mood sound like a milestone. Is that correct? Are we allowed to peek behind the wall, dare we stir something up again?

Well Reese, along with Perry Mason Showrunner Michael Pegler sure seems to think so. And what pleases us today, the cause of the good news and the cheers of a Monday afternoon phone call? We are here to talk Perry Mason the second season. he is coming. in March. to me HBO. When we last saw him on the drama series, where Reese plays a private investigator turned attorney in Depression-era Los Angeles, Mason finally had something to hang his stylish fedora on. The guy wrapped a brutal case. He had a big moment on court. At the end of it all, he had what Reese calls a “Charlie’s Angels” moment, teaming up with Paul Drake and Della Street. Season two should be a breeze, right?

no. There is another murder. Here’s the official tagline, from HBO: “Months after the conclusion of the Dodson case, the scion of a powerful oil family is brutally murdered. When a DA goes to the town’s Hoovervilles to identify the most obvious suspects, Perry, Della, and Paul find themselves at the center of a case that will expose far-reaching conspiracies.” And it forces them to reckon with what it really means to be guilty.” This time, the cast includes Reese, Juliette Rylance, Chris Chalk, Diara Kilpatrick, Eric Lange, Justin Kirk, Katherine Waterston, Hope Davis, Fabrizio Guido, Peter Mendoza, Mark O’Brien, Paul Rasey, Gene Tulloch, John Chaffin, Onawa Rodriguez, Ji Young Han, Sean Astin, Tommy Dewey, Shea Whigham, and Wallace Langham.

It’s the season to really be a Mason. Let’s go to her. Rhys and Begler are here with your first appearance of Perry Mason Season 2, which includes, but is not limited to: a vintage Harley Davidson motorcycle, a murder case, and a new team that’s already “drifting too much.”

First look images courtesy of HBO and Merrick Morton.

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“I think you find him treading water – but I think it goes beyond that,” Matthew Rhys says of what we’ll see when we meet Perry Mason again. “He’s just a little bit trying to keep his head up and figure out what he wants with his life.”

HBO / Merrick Morton

Esquire: I heard this season takes place in 1933 — the same year Esquire was founded. Does this mean the entire plot is just Perry Mason’s attempt to freelance for Esquire?

Matthew Rice: yes! He calls out, “Hemingway can’t write for money! Give me a job!”

Michael Bigler: “I have a lot of short stories!” Then he reads it.

the master: yes. Each episode is a short story that Mason creates and pitches to Esquire.

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The last time I spoke to you, Matthew, was in August of 2020, the end of the season — we were going into the second wave of the pandemic. Can the two of you catch up with me where your heads were when I started building the new season?

Megabyte: Well, we joined the trip in March 2021, and we started talking with Matthew right away about it. I think that [co-showrunner Jack Amiel] And I started diving into the research at the time and what was going on — looking particularly at the founding of Esquire as a starting point. But really, just not looking at Well, where is Perry at this point, but Where was Los Angeles at this point?

What immediately struck us was that this was the worst year of depression in L.A. We really took that and ran with it, because of this whole idea of ​​L.A. — the glamorous financial side of the city, but also an enormous amount of poverty. There are all those Hoovervilles that are popping up. You saw this world in the first season, but we wanted to explore it more.

“There are all these Hoovervilles that pop up,” says Michael Bigler, the series’ showrunner about 1933 Los Angeles. “You saw this world in the first season, but we wanted to explore it more.”

HBO / Merrick Morton

When we last see Perry, he’s said goodbye to Alice, and he’s had his big moment in court, wrapping up this incredibly painful case. What does Perry want when we see him again?

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the master: I think when we see him in the next season — you kind of touched on something there — what you see is Perry who doesn’t quite know what he wants. I think he found himself in a situation where he got into the judicial system, the legal system, with a lot, maybe…

Megabyte: Would you say fear?

the master: the fear. I don’t think there was much of a game plan. He just saw someone hurt the rail and went, “That’s wrong.” And then he finds himself in this situation, where I think the reality of the legal and judicial system has somewhat collapsed around him. He says, “This is a very flawed way of trying to decipher right and wrong.” I think the Emily Dodson case has taken its toll.

I think you find him treading water – but I think it goes beyond that. He’s just trying a little bit to keep his head up and figure out what he wants with his life. It’s a little lost, which is true I think, of the first season. He is always an outsider. It’s always a perfect fit in any setting, and I think that’s true in season two again. You find him trying to figure out if this is really something he not only wants to do, but could actually do.

you are right. At the end of the season, Perry gets a little more organized in his life, and comes with this core team of Della and Paul in the office. But he also seems to be asking more questions of himself as the credits roll.

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the master: Yes Yes. very much like that. It’s these big life changes that give him those big questions and make him look inward sometimes.

Megabyte: He countered this theory by Hamilton Burger, that there is no real justice. There is only an illusion of justice. I think that weighs heavily on Perry throughout the entire season. Like, what is all this about? Through this case, explore that, and try to find an answer to that.

“Where you actually find them again in Season 2 is that they drift a lot apart,” Reese says of Della, Paul, and Perry’s new team.

HBO / Merrick Morton

Can you tell me anything about the new case?

Megabyte: What I will say is that it really deals with, as I said earlier: What does justice look like for people who have the means and the power, versus those who have nothing? It’s a murder case, but the circumstances… I just don’t want to give away too much.

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No, that’s perfect. What would Perry, Della and Paul’s team look like?

the master: I think what’s great about the drama is that you imagine it – especially at the end of season one, just forming a Charlie’s Angels moment – where you actually find them again in season two is that they drift so much apart from each other. The work that Perry, I think, did not promise, but certainly hoped Paul could do, has not been fruitful. It builds Paul’s resentment, because he gave up so much in order to join Perry’s team. Perry is very disappointed in what he is doing. I think this frustrates Della very much. She’s trying to remain the driving force in this, trying to keep them all not only afloat – but also to keep her own ambitions in check, as Perry seems to veer a little too far on mandate.

Looking at these photos, I have to ask you, Matthew: Are you riding a vintage Harley-Davidson motorcycle?

the master: It’s me! I’m the one doing the stunts. My passionate business. But it was very easy to ride a motorcycle. There was an intro on the original Harley Davidson, to which the stunt coordinator said, “Okay, so you have to hit that lever, and then engage the clutch right there at this moment.” Everyone soon realized that there was no way on God’s Green Earth that could ever happen, so they modified it and turned it into an expensive electric motorcycle.

Yep, that’s Reese, looking seriously as heck, like he dropped out of Top Gun: The Prequel. “Me! I’m the one doing the stunts. My passion,” he says.

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HBO / Merrick Morton

I want to interview that person when the season comes.

the master: Worth an interview, because they also said, “Can you get this done in a month?” He said, “Not really, no! But I’ll try.” he did. he did. He is one of those mechanical geniuses. He said, “Well, I took this electric bike away and then rebuilt it inside an old Harley-Davidson.”

Jeez.

the master: What I’ve enjoyed most about going to the site is, oftentimes, the old boys usually come up and go, “Is this a 1930’s, Harley ’31?” And I say, “Yeah, it is.” They’re like, “How is it not making any noise?” I’m like, “Because it has a giant battery inside its tank.” You will be met with a divided reaction. 50% disgusted and 50% dumbfounded at how it would change.

Did I miss something about the new season?

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the master: I will think about it. Michael, are you just thinking – using just one line – what the first look or teaser will be like for this season?

Megabyte: Jesus.

the master: you write!

Megabyte: I know I know. My God. I was thinking about that whole trip this morning. I would say the first season dealt a lot with the church and the corrupt police – and really, again, we wanted to build it up. So I think we’re playing with a bigger board [now]. But at the same time … we use a softer brush.

the master: Fabulous.

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ESQUIRE Well then!

MR: I steal it.

HBO / Merrick Morton

HBO / Merrick Morton

HBO / Merrick Morton
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HBO / Merrick Morton

HBO / Merrick Morton

HBO / Merrick Morton

HBO / Merrick Morton

HBO / Merrick Morton
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HBO / Merrick Morton

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(PHOTOS) Tristan Thompson looks absent as Marali Nichols celebrates her son’s first birthday

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Tristan Thompson And the Marali Nichols His son, Theo, celebrated his first birthday last week. Nichols was sure she would do everything she could for her son and delivered a “Winter Wonderland” extravaganza.

according to PeopleNichols shared photos of her blue and silver birthday bash via her Instagram Story.

She wrote in the caption: “Theo Winter Wonderland.”

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Baby Theo was gifted with a gray and white balance bike and a child-sized Lamborghini, she reported. People. The celebration included a two-tiered birthday cake, decorated with teddy bears.

Nichols wished her son a happy birthday on Instagram

On Dec. 1, Nichols took to Instagram to share a special birthday post for the one-year-old. In the post, she said it was her “greatest blessing” and her “heart in human form.”

I can’t believe you are already one. Spending the past 365 days with you have been the best days of my life. You are the sweetest little boy, your smile lights up any room. You are the greatest blessing, my world, my heart in human form. God knows I need you. I love you more than anything. Happy birthday to my angel, Theo.

Thompson has not appeared in any photos

Thompson was not spotted in any photos that appeared to celebrate the one-year-old’s birthday. according to PeopleHe has also not publicly commented on the baby, aside from confirming paternity results in January.

I take full responsibility for my actions. Now that paternity has been established, I look forward to raising our son amicably. I sincerely apologize to everyone I have hurt or disappointed during this ordeal, publicly and privately.

A source recently told us weekly that Thompson is “very absent from Theo’s life”.

He did not meet Theo nor initiate any meetings. He has no immediate plans to meet his son face to face.

Thompson also has a 4-month-old son and a 4-year-old daughter Chloe Kardashian. As well as a 5 year old son with Jordan Craig.

Roommates, what do you think of this?




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