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Amazon unveils a large virtual production stage in Culver City

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On Monday evening, the filmmakers, directors, and special effects artist ate shrimp and miso salmon cocktails as they strolled around Amazon Studios’ new 34,000-square-foot virtual production stage in Culver City.

Among them was director Reggie Hudlin, whose comedy “Candy Cane Lane” starring Eddie Murphy will be the first to be shot theatrically. He cut a red ribbon with oversized scissors to officially open the studio on Monday.

Stage 15, built in 1940 and once home to movies like “It’s a Wonderful Life” and “RoboCop,” has been transformed into the largest virtual production stage in Los Angeles.

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The renovated stage has a wall of more than 3,000 LED panels and motion capture cameras that recreate the outside world inside and allow the actors to interact with the environment rather than posing in front of a green screen.

stage Connected to the Amazon Web Services cloud ecosystem, so creative teams can access footage shot there in real time in multiple locations.

“All of these tech breakthroughs just allow for different kinds of storytelling that you couldn’t do before, maybe you couldn’t afford to go to this site, or maybe it was technically impossible. But now you can do it,” Hudlin said in an interview. And it looks and feels real.” “Candy Lane” starts filming next week and is expected to be on stage in February or March. “It means a lot to be able to work at home and have the world here in the studio. I can go anywhere in the world or to other planets.”

With Phase 15, Amazon is marrying its technology and entertainment businesses and expanding its economic footprint in Southern California.

Supported by the latest game technology, these stages allow filmmakers to cut costs by reducing the need to rebuild stages and give them the flexibility to shoot from anywhere with continuous daylight – no matter what time of day it is.

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“All of this investment that we’re making is consistent with who Amazon is,” Albert Cheng, vice president of Prime Video US, said in an interview. “We’re investing in new technology and trying to figure out how to innovate around production with new technology.”

Amazon declined to disclose how much it spent on the theatre, which is run by a 20-person production team.

Planning for the project began in the summer of 2020, as Hollywood was grappling with production halts due to the COVID-19 pandemic.

“The short-term challenge was how to shoot and create content safely with limited travel rather than wanting to shoot in multiple locations,” he said.
Chris Del Conte, Global Head of VFX at Amazon Studios. “A long-standing challenge has been how does Amazon’s sound effects division support our filmmakers and equip them with the most innovative technology to create a world within shows that goes beyond the traditional post-green screen process? Virtual production set boxes for each of these challenges and we’re starting to tap into them.”

The studio began using virtual technologies for productions such as the science fiction series “Solos” starring Helen Mirren; and Chris Pine’s “All the Old Knives,” where most of the filming centered around a sunset dinner.

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Virtual production technology uses developments in game software and goes beyond the use of green screens. Instead of performing against a static, blank screen, the cast and crew in a virtual production can interact in real time within a 3D environment projected on LED screens.

Walt Disney’s tale of intergalactic bounty-hunger, “The Mandalorian,” is one of the most popular and expansive uses of virtual production. Nearly half of the first season of the Disney series was filmed on a 20-foot-tall, 270-degree semicircular LED video wall at the Manhattan Beach studios.

The ability to cut location costs and recreate scenes from anywhere has increased the popularity of the technology among filmmakers.

Streaming services have also helped increase virtual production as they seek to increase their content libraries, especially as adventure, action, sci-fi and fantasy are popular with viewers, according to Deloitte report.

Last year, the Vancouver visual effects company was bought by Netflix Scanline visual effects. Netflix shows that have used virtual productions include the drama “1899” in Berlin and the sci-fi film “The Midnight Sky” in the UK. The broadcaster also used the virtual production in Los Angeles for some of the driving sequences in “Blonde”.

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Amazon’s virtual platform is also deepening its ties to Southern California.

Where Advertisement based transfer To Culver City in 2017, Amazon Studios has expanded its footprint domestically, with nearly 630,000 square feet in the city, according to CoStar, which tracks real estate data. Amazon has also diversified the type of content it distributes, becoming home to “Thursday Night Footballand making big bets on original shows like “Lord of the Rings: Rings of PowerIn an effort to encourage consumers to purchase Prime membership.

Earlier this year, Amazon shut down a scale A deal worth $8.5 billion To purchase MGM, including the library of movie contents including the James Bond franchise.

There are more than 200 million Prime subscribers worldwide, and more of its customers are signing up because of the video content, Amazon CEO Andy Jassy said at the DealBook Summit in the New York Times last week.

“I think over time we have opportunities to make our Prime Video business a standalone business that has very attractive economics,” said Jassy.

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Amazon Studios’ success could also benefit Culver City, where it is one of its largest employers, with nearly 2,700 employees, according to the city.

“More content, more investment, benefits the city in the long run,” said Mayor Daniel Lee.

“Amazon’s investment in virtual production is promising if it takes off and Amazon becomes an industry leader,” said Ryan Patap, senior director of market analytics at CoStar Group. If successful, he added, “it will likely attract more businesses to Culver City.”

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Screenshots made by an AI director from a fake movie rage Twitter

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Scofield soon realizes that he is not alone. A small cadre of movie-obsessed artists and artists have harnessed the power of generative AI tools to reimagine classic films – or create entirely new ones – from some of the world’s most iconic names. In December, creator Johnny Darrell went viral Jodorowsky You see, a reimagining of the classic film under the eyes of groundbreaking director Alejandro Jodorowski. Inspired by Darrell, Washington-based Rob Sheridan, former art director of Nine Inch Nails, used artificial intelligence to create Jodorowsky Fraser.

Sheridan, 42, calls this AI-powered movement “The New Unreal.” Practitioners include a painter based in New Zealand Create a western space on Instagram and a sculptor from Austin, Texas, Making fake sci-fi TV shows. Another content creator from India is using AI image generators to create his own rich font Sci-fi with a Southeast Asian flavor.

“We’re starting to see this technology as something like a dream engine, leveraging a kind of distorted visual awareness to explore things that never were, never will be, never could be,” Sheridan said. “They hit you in a weird way, because they feel like They are very reasonable.”

Scofield said he didn’t know why his Cronenberg business was catching fire so quickly. He’s posted several previous experiments on Imgur, Reddit, and Twitter, all of which only got between 50 and 100 likes. “The intention was not to create a clickbait site, but I think it turned into that,” he said. “A lot of people were reposting it and saying, This is terrible. This man does not understand Cronenberg at all.Each time they did, it spread further and incited another wave of criticism, which incited another, and another, and another.

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Schoefield said the text of his tweet — simply “David Cronenberg’s Galaxy of Flesh (1985)” — could give the false impression that he was trying to deceive Twitter. “There is no real intent behind this title yet, Oh yeah, looks like that could be it,” he said. “But he seemed to really impress people, and I think someone like Cronenberg might be famous enough to have a fanbase.

He continued, “There are a lot of people who have opinions about what Cronenberg’s aesthetics are and what they are not, and what a bad interpretation of his style is.” He fears that people will think he is trying to reduce Cronenberg’s work to mere physical horror.

The frames themselves were created by giving Midjourney a “DVD screen” prompt of various scenes from the film The empire strikes. Then it was like: Everything is made of skin, joints, tendons, nerves, umbilical cords, stomach, and arteriesSchofield added.

Getting a photo creator to make blood was hard — like getting Cronenberg style. “You can’t even write ‘Cronenberg’ in Midjourney,” Scofield said. (Sheridan thinks it’s because of him: He made a series of Cronenberg-inspired photos for the Met Gala in May, and Soon after, the term “Cronenberg” was banned from the tool.)



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We used AI to write articles about CNET writing with AI

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Technology news site CNET discovered that he uses artificial intelligence (AI) to write articles about personal finance without any prior advertising or explanation. The articles, which numbered 73, covered topics such as What is Zelle and how does it work?“And it has a small disclaimer at the bottom of every read” This article was created using automation technology and has been carefully edited and fact-checked by an editor on our editorial team. The subheadings in these articles read “CNET Money Staff” generated by artificial intelligence.

The use of AI to write these articles was first revealed by a Twitter user, and further investigation revealed that the articles had been created using AI since November 2022. The extent and form of AI currently used by CNET is not known as the company did not respond to questions about their use for artificial intelligence.

The use of AI in journalism raises questions about the transparency and ethics of this practice as well as the potential impact on the veracity and accuracy of news. In addition, it also raises concerns about the implications it may have on SEO and Google searches. The lack of response from CNET regarding their use of AI in writing articles has heightened concerns and sparked a broader discussion about the future of journalism and AI’s role in it.

Note: This entire article was written by ChatGPT and reviewed by a human editor. (In fact, we had to rewrite the prompt several times to get it to stop throwing real-world errors. Also, CNET did not respond to a human journalist’s request for comment.)

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Elon Musk has officially lost more private money than anyone else in history

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Bill Buckner. Justin Guarini. Everyone who “ran” against Vladimir Putin. Now Elon Musk has joined the ranks of the biggest losers in history. the Awarded by the Guinness Book of World Records CEO of Tesla, SpaceX, and Twitter, a record-breaking loss of personal wealth. Forbes has estimated that in the past year or so, Musk’s wealth has declined by $182 billion.

In November 2021, Musk’s wealth peaked at nearly $320 billion, making him the richest man in the world. Most of that, however, was Tesla stock, which has plummeted in value through 2022. His October 2022 purchase of Twitter for $44 billion — which he financed with some of his Tesla stock — also caused a huge buzz in his bottom line.

In December, Musk’s losses stripped off His top of Forbes existingAnd the title of the richest person in the world went to Bernard Arnault from the LVMH Group, which owns such luxury brands as Louis Vuitton, Dior and Sephora. Forbes noted That many other billionaires will take big losses in 2022, when technology stocks will be hit hard. Jeff Bezos lost $85 billion, and Mark Zuckerberg saw $77 billion of his wealth disappear.

The previous world record for largest loss of personal wealth was held by Masayoshi Son, CEO of Softbank, who lost more than $59 billion during the dot-com crash of 2000. Today, Son is ranked 67th on Forbes’ list of billionaires.

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